They are categorised by series country , then ordered by date. Some of the albums have also been released on individual VHS tapes. Now Volumes 1 through to 18 and 20 were released on VHS. The first two Now albums were also issued on LaserDisc. Every video tape had a typical running time of roughly one hour.
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At the time, that success was a huge moment, as it showed how big singles could become on the growing platform. Now, less than two and a half years after the first single saw its play count hit 10 digits, a twenty-fifth song has entered the billion-play club, and there are quite a few tracks coming up closely behind it that will do the same in just a short period of time. Six artists can claim to have more than one song with at least one billion streams, which is a fairly high number considering there are only 25 titles which have done so. Justin Bieber leads the way with five smashes, and notably, he just grabbed his fifth entrant earlier this week. Here are all 25 songs that have now been streamed one billion times on Spotify.
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It usually takes a while — a decade or two — before we can look back at a particular era of American life and see it as something coherent, something whose every aspect is marked by one overarching mood. It takes a certain amount of hindsight to notice how all the wildly different reactions people had to the moment were still, in the end, reactions to the same thing; all the different poses they adopted were still being struck against the same backdrop. But this era — this year, and the last one, and one or two before that — might be an exception.
Hanging out with King Princess can feel like entering a time warp. At 21, she has the lush, broken voice of a hard-living lounge singer in a David Lynch film, and her music is similarly timeless: guitar-driven torch songs with lyrics sharpened by what sounds like a thousand years of love gone wrong. How thrilling must it have been to be a young teenager in , witnessing the birth of Odd Future, a Los Angeles collective of skater kids. I needed him. He was a force, eating cockroaches in music videos, fantasizing about murder and suicide, delighting in hiding behind a veneer of edgelord homophobic, misogynist lyrics. His was a youthful, playful, nearly theoretical form of destruction. He reveled in blurring the line between character and artist and troll, between ego and id. Thus: He represented freedom. A grisly and dark one, for sure, but a freedom nonetheless. His growing up came in stages.